El doctorow ragtime pdf1/20/2024 The Other Side of the Story: Structures and Strategies of Contemporary Feminist Narrative. Gender and Knowledge: Elements of a Postmodern Feminism. Australasian Journal of American Studies 20.2: 47-61. London and New York: Routledge.įriedl, Herwig and Dieter Schulz (1999). The Order of Things: An Archeology of Human Sciences. From U.S.A to Ragtime: Notes on the Forms of Historical Consciousness in Modern Fiction. Cambridge, Massachusetts: Harvard University Press.įoley, Barbara (1983). Doctorow’s Ragtime in the Context of Historiographic Metafiction―A Study. New York: Random House.įarca, Paula A (2013). Jack London, Hemingway, and the Constitution: Selected Essays 1977–1992. London: Penguin Modern Classics.ĭoctorow, Edgar L. New York: Random House.ĭoctorow, Edgar L. Baltimore and London: The Johns Hopkins University Press.ĭoctorow, Edgar L. Albany: State University of New York Press.ĭerrida, Jacques (1967, 1997). Feminism and the Postmodern Impulse: Post World War II Fiction. Berkeley and Los Angeles: University of California Press.Ĭonier Michael, Magali (1996). New York: Routledge.Ĭonnel, Raewyn (2005). In Morris, Christopher, ed., ed., 129-143.īutler, Judith and Joan W. American Studies in Scandinavia 22: 94-106.īevilacqua, Winifred (1999). Doctorow’s Welcome to Hard Times, The Book of Daniel and Ragtime. New York: The Johns Hopkins University Press, 62-76.īaudrillard, Jean. The Friday Book: Essays and Other Non-Fiction. I will attempt to establish how these two traditionally conflicting modes coexist and interact in Ragtime.īarth, John (1984). This analysis will lead to an examination of the problematic collusion of the mostly white, male, patriarchal aesthetics of postmodernism and feminist politics in the novel. Thus, on the one hand, I will focus on issues of uncertainty, indeterminacy of meaning, plurality and decentering of subjectivity on the other hand, I will examine the novel’s attitude towards gender oppression, violence and objectification, its denunciation of hegemonic gender configurations and its voicing of certain feminist demands. I will explore Ragtime’s indebtedness to postmodern aesthetics and themes, but also its feminist elements. The purpose of this paper will be two-fold. This is certainly the case of Doctorow’s fourth and most successful novel, Ragtime. Yet, these novels have an eminently social and ethical scope that may be best perceived in their intellectual engagement and support of feminist concerns. Many critics of Doctorow have classified him as a postmodernist writer, acknowledging that a wide number of thematic and stylistic features of his early fiction emanate from the postmodern context in which he took his first steps as a writer.
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